MONICA JOY FARA
With the Chilean Climber in Puerto Tranquilo, Patagonia
At the crag outside of town, his body springs
across the rockface with easy precision,
forearms lit up with tendon and vein,
palms sharpened with twin ridgelines
of snowcapped calluses. Mírame, he says,
working his way slowly through the sequence again,
exaggerating every twist of his torso,
every subtle articulation of wrist and ankle.
So I give it another shot. I'm making progress,
but my grip still shakes from lack of practice,
my hands torn and tender, and inevitably
I collapse onto the chalky crashpad.
I'm learning to laugh about it. This is Chile.
This country pressed so thin the light
shows though, even the Spanish
stretched into some strange new shape,
and all of us exist so near the edge
of something: The cliffside. The coastline.
The Argentine border. Everything here
gives me vertigo, even the sound of his voice.
Always the dizzy moment of freefall
between when he speaks a thing
and when I register its meaning.
It's true there are times I leap with grace
through this language, but there are times
the words slip like slick granite from my fingertips,
times when clarity comes like a crash.
But I'm making progress. I dust myself off
and try again. I lick the same wounds over and over
until my tongue learns the shape of them.
Monica Joy Fara holds a Bachelor’s degree in English and Spanish from the University of Nebraska-Lincoln. Current and forthcoming publications include journals such as The Tampa Review, The North American Review, The Cimarron Review, The Mid-American Review, Painted Bride Quarterly, and more.