Contributor Spotlight: Kathleen Bangs

Kathleen Bangs: How "Cold Woods" Came to Life

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It was a drizzly, cold November morning on the opener of Minnesota’s deer hunting season. I was driving into the remote town of Grand Marais, an outpost hugging the north shore of Lake Superior, to attend the second day of a writer’s conference. We were meeting in a log building on the main drag. The day’s class was titled Write What Haunts You

With a few minutes to spare, I ducked into an adjacent coffee shop. As the barista handed me a mug, I puzzled over a sign on the wall. “Oh. Yesterday I thought this place was called Java Loon. But it’s named after a different north woods animal?” I asked.

She smiled. “Yes, we’re Java Moose. There’s a sticker if you’d like one,” the barista said, pointing to a pile of large round stickers on the counter between us. Not really a sticker person, I didn’t know what possessed me to pick one up. The sticker indeed displayed a drawing of a moose, not a loon.  I stuck it into my jacket front pocket and headed to class.

A police officer, moonlighting as a mystery writer, sat across the table from me in Write What Haunts You. Before the instructor began, I took him aside. “You know, there’s this unsolved case that often bothers me this time of year, about a missing man in the Minnesota woods.” I had no intention of ever writing about the missing person. But the opportunity to ask a cop if he had ever heard of the case was too tempting to resist. 

During the break I went to step outside for a moment to enjoy the pine scented air, and a close view of the world’s biggest lake. As I pushed open the glass double doors, something caught my eye. A blur of animal coming toward me at a gallop. For a split second I thought it was a freakishly giant Newfoundland dog, with wiry colored fur the shade of green moss. 

With my right leg through the door, and only a pane of glass separating whatever was barreling toward me, its wild eyes caught mine. I saw mostly white, the look of panic. With a collision imminent, instinct kicked in. Stepping backwards, I yanked the door shut.

The animal’s head slammed against the glass with a loud thunk. 

Apparently unfazed, it made a sharp turn to the left, disappearing across the street toward the coffee shop, gone in an instant.

“Did anybody see that?” I yelled, flustered.

“I did,” said a man’s voice, from behind. It was the police officer. “That was a juvenile moose.”

***

What were the odds? Of a near-miss with a wild creature, a moose no less. With the moose sticker still in my pocket. After just getting up the nerve to finally ask law enforcement about the case of a missing man. I still don’t know if the universe was trying to jar me into action, or silence. But I did feel that the story of a man, long presumed dead, needed to come to life. I stepped inside, sat down, and wrote "Cold Woods."

Contributor Spotlight: Beverly Burch

Beverly Burch on "Psalm of the Glass City"

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Psalm of the Glass City” began when I spent time in Vancouver, BC. I love this city, how its glassiness reflects the surrounding mountains and water, its green space on high buildings, but being there I also sank into what was missing.

The poem is one of a series of Psalms about the sometimes alluring damage humans inflict on the natural world, especially wealthy humans. Imagining the missing wildlife and the disappeared trees seems a necessity when living in a city, as I do in Oakland, CA.

Bay Area cities have turned to glass as well. These psalms are praise songs to what we don’t see or know and they became part of a manuscript about the aftermath of Eden, the afterlife of a fleeing Eve as she enters the contemporary world. This manuscript, The Book of Eve, explores natural destruction, gender relations, and the potential dystopia all our lives seem headed toward.

Contributor Spotlight: Doug Van Hooser

Doug Van Hooser on "Wild Phlox"

 

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I have a house in Wisconsin on the edge of the Kettle Moraine State Forest. When we moved in the prior owner had grassed over a tiered garden in the front yard. I tore out the grass and started planting. The wild phlox across the street did too. I have a hard time pulling out any plant that blooms and the phlox quickly took advantage of this flaw. Seed finds every nook and cranny and the next thing I knew there was a mass of blue. I love the big show. The Morton Arboretum in Illinois has a field of naturalized daffodils that is a special sight. I planted a hundred scilla in the front lawn and after twenty-five years the thousands of tiny plants put on an early spring show that mesmerizes everyone who sees it. And the phlox? No matter my annual efforts, it keeps its grip. Survival is never in question.

Contributor Spotlight: Lauren McKenzie Reed

LAUREN McKENZIE REED on "What You Might Not Have Known"

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I love antiques.  My home is furnished with my grandparents’ and great-grandparents’ tables, textiles, and artifacts tucked in throughout.  When someone enters my home for the first time, after a few questions about where items have come from, guests can accept this “style” as a dutiful daughter, drawn to her own history.  This is partially true, however I learned in 2009, while spelunking through a secondhand shop in West Virginia, that I can become attached to other peoples’ histories as well.

It wasn’t me who stumbled over the inconspicuous boxes of 35mm slides in Bubba’s Garage; someone who knew my sentimentality called me over to them.  And it wasn’t instantaneously that I felt as if I needed them in my life; over several days they burrowed in me, and I just couldn’t shake them.  A couple had travelled the world and here were their memories lovingly categorized and labelled, yet left in a dirty warehouse, for sale alongside doorknobs, mattresses, and broken kitchen appliances.  Who were they; when had they taken all of these amazing trips; why did no one keep them?  After a day or two I realized what a treasure they were and knew I had to rescue them. 

I immediately ordered a slide machine and poured through their images; I slowly started to feel as if I knew these people, although I only really knew the truth I had invented for them.  No matter their real names, she will always be Bernadette, and him Henry, and their adventures abroad have forever aligned themselves with my wanderlust heart.  I, too, have travelled all over the world, and I too crave photos so that when I’m old I can travel back to the way all those places made me feel.

I knew I wanted to write about her, in particular – I saw myself in her, which is apparent when I assign her some of my quirkier personality traits (a love for random facts and trivia about nature and the Earth, for example).  Even though she gets her own separate sections, and moments are described from her perspective, I’m still in there, and couldn’t fully separate myself from her.  She has since become a part of several projects of mine.  Describing anyone is a frightening thing, and describing oneself is a horrible power.  Sometimes other voices are necessary to complete the picture, and somehow I knew she completed mine. 

What You Might Not Have Known” is a blending, of street scenes in Norway and me in my bedroom smelling the burning dust of the slide machine; of this woman I will never meet and myself; of then and now.

Her story needed telling.  I hope some memories of mine never end up caked with dust, having been sold at an estate sale, forever lost from those who actually knew me.  But if they are, I hope to be found, re-imagined, and considered by someone who comes along, and sees how much we may have had in common, despite never meeting.