RACHEL MORGAN

THE WORLD HAPPENS TWICE

After the tsunami and meltdown
the fallout drifts towards us.
Cypress trees sway like mothers
with babies perched on hips.
By the Fryman Canyon trailhead,
the wind in an oak grove
creates its own microclimate.

Barefaced above the city,
I remember all the other places
I’ve lived. I am not in love with
another man, but I want to be.
The heart is an electric organ,
the therapist says. Let yourself choose,
she says. It’s a regulatory process.
She listens with her whole face.
I try to forget with my whole body.

Even twice a year a lake turns over,
trading part of itself for the other.
My students often write about
the Northridge earthquake, even though
they’re too young to remember it,
performing a memory created
from story. I wonder if I’ve devised
a story that harms you, living in a place
where the ground grinds until it gives.

The group of seniors who volunteered
for the Fukushima clean up
were nicknamed the suicide corp.
Some disasters are manmade,
others are natural.

 

Rachel Morgan is the author of the chapbook, Honey & Blood, Blood & Honey (Final Thursday Press), and she is the co-editor of Fire Under the Moon: An Anthology of Contemporary Slovene Poetry (Black Dirt Press). Her work recently appears in the anthology Fracture: Essays, Poems, and Stories on Fracking in America (Ice Cube Press) and in Crazyhorse, Prairie Schooner, Salt Hill, Boulevard, Alaska Quarterly Review, Barrow Street, and elsewhere. She was a finalist for the 2017 National Poetry Series. Currently she teaches at the University of Northern Iowa and is the Poetry Editor for the North American Review.