Sara Ryan
SELF-PORTRAIT AS MAMMAL
I have been lost for some time now. the hunt
has been long and cold. and maybe
it has all been for nothing. listen:
my cat and I sleep back to back like two
mirrored moons. this is how I learned
my body’s soft groan. its clumsy
bones growing heavier each night. this is when
fur tangles and emerges from my mouth
like an animal. it is something familiar—I call it
beast and it grows teeth. somehow,
the only thing I fear is the dull knock of my heart.
its dangerous call into the wild.to quench
its cry, I undress and redress and undress again
in front of the window like the whole world
can see me. I glow like lamplight. like some
tropical and unnamed creature. feathered
and clawed. fowl or forked tongue. what
would it take? to be an assassin of my body’s
claim to blood and pain. I wish I could be
as flashy as the waterfall. as Niagara’s roar.
it spills and does not stop. even when engineers
divert the water and it becomes a drizzle. even
when a bird flies into the rush. even when
I shiver in the mist. lean into the spray.
Sara Ryan is the author of the chapbooks Never Leave the Foot of an Animal Unskinned (Porkbelly Press) and Excellent Evidence of Human Activity (The Cupboard Pamphlet). In 2018, she was the winner of Grist's Pro Forma Contest and CutBank's Big Sky, Small Prose Contest. Her work has appeared in Pleiades, DIAGRAM, Booth, Prairie Schooner, Thrush Poetry Journal, and others. She is currently pursuing her PhD at Texas Tech University.